Our Products
AUDIO ROUTING ENGINES
AUDIO ROUTING ENGINES
CONTROL SURFACES
CONTROL SURFACES
AVT TELEPHONE & VoIP
AVT TELEPHONE & VoIP
Audio Routing Engines
Rio Bravo
Large format Dante based compact central routing and control. Up to 96 Analog or AES inputs and outputs. Control numerous hardware devices, virtual devices and automate routing of Dante, Analog and AES devices.
Nucleus
Dante based compact central routing and control. Analog, AES and Control ports onboard. Control numerous hardware devices, virtual devices and automate routing of Dante, Analog and AES devices.
Luna 12.8
Dante based 12 input, 8 output rack mounted. Web controlled. Mic/line inputs with phantom power and high resolution microphone preamplifiers.
Core 64
Centralized Dante routing and control. Up to 1024 channels in six rack units. Control numerous hardware devices, virtual devices and automate routing of Dante, Analog and AES devices
Control Surfaces
Rubicon R2 Consoles
Large scale control for network, athletics and master control operation
Stratos IP Consoles
Feature rich control for demanding programming. Customizable to fit all needs
MClass IP Consoles
Efficiency meets quality. Versatile for production, podcast and on-air broadcast
Rubi T
Compact form factor, modular and ideal for host, news desk and remote studios
SAS Virtual Console
A virtual surface that can connect to any SAS engine, from the Nucleus to the Rio Bravo and any legacy Rio or 32KD.
SAS Flex is another great part of the SAS Global Connect Initiative.
Intercom Soft Panel
The SAS Intercom Software App is a simple easy to configure and use to provide intercom and talkback from any location within the the facility or any location connected by WAN or even InterNet. Use a microphone already installed at a DSP engine, or remotely use your PC microphone. Configure the software app to display 8 or 16 instant quick pick talk buttons, and use a pull down list to select any IFB Destination in the system. When connected to an SAS DSP Engine a click on the “Call Answer” button talks back to the last destination that called.
AXC 16
Comes in a variety of configurations for full XY functions
(Output and Input source select) or multi output (limited with display lists), displays with “Audio Present and Audio Peace” icons for confidence monitoring, (perfect for Network Distribution Centers), with 8, 16 or 32 programmable buttons for quick pick source and destination selection.
DLM-2
LU and VU meters, rack mount and chassis mount. These are Digital Audio Meters with selectable LU and VU meter ballistics. LU shows a block of 6 (2,3 LED block) to show where the average audio level is. LU is based on British Loudness stand BS-1770, Loudness and True-peak level standard. It specifies anchor based normalization for regular programs, but all-source loudness normalization for commercials and interstitials, both at a default Target loudness of -24 LKFS
Power Supplies
SPR-200
The SPR-200 takes up two-rack units and may supply power to a total of (4) devices including a mix of engines and consoles. This power supply is capable of being the central power unit for a studio production room.
SPR-50
The SPR-50 may supply power to (1) device, being an engine or console. Pictured SPR-50 will power an engine.
PS 12V-1A
The PS 12V-1A may be used to power certain studio accessories which require 12 volts / 1 amp, such as the USB Device, and some Headphone Amps that are not drawing power from an engine's powered analog output. They may also be used to power external meters or control panels.
Studio Accessories
USB Audio Interface
Ultra-high quality USB audio interface. Plug and play connection to your computer. Select "SAS USB Device" from your computer's settings to activate. The device features (2) USB inputs that may alternate between two computers. One stereo analog IN, one stereo analog OUT, one stereo digital IN, one stereo digital OUT.
SAS USB Devices are available as a standalone tabletop units, turret modules, or rackmount panels.
SAS Coffee Mug
Ceramic 11oz coffee mug to help maximize a board op's performance.
SP-HPV
SAS headphone amp that may be mounted underneath the table or desk of any studio guest position. This allows for discrete headphone connections for guests with fully adjustable volume. Features a quarter-inch and mini-jack headphone connection. Both jacks may be used at the same time or independently. Chain together as many SP-HPVs that your studio may require using only (1) of your engine's powered analog outputs.
SAS Headphone Amps are available as a standalone tabletop units, turret modules, rackmount panels, or studio desk undermount units (pictured).
RJ45XLR Adapter
Available in balanced (male or female) XLR to (female only) RJ45. This adapter is the SAS external solution for analog input and output connection to any SAS analog RJ45 port. Allows for high quality analog audio to be delivered through various means of cable management to external devices.
QLM-8
The same specs as DLM-2 but with 4 stereo meter channels in a chassis suitable for mounting in a recording environment, can mount much like monitor speakers, or on desktop for digital audio workstations.
SAS INTERCOM SOLUTIONS
DCS DESKTOP SERIES
Centralized communication for Producer Desks and IFB
RCS RACK MOUNT SERIES
IFB and Intercom for IT Data Center, Campus Communications, IFB, and Next Generation Emergency Dispatch
SCS 8
Compact, 8 button rack mount intercom system for IT Data Center, Campus Communications, IFB, and Next Generation Emergency Dispatch
Intercom Soft Panel
The SAS Intercom Software App is a simple easy to configure and use to provide intercom and talkback from any location within the the facility or any location connected by WAN or even InterNet. Use a microphone already installed at a DSP engine, or remotely use your PC microphone. Configure the software app to display 8 or 16 instant quick pick talk buttons, and use a pull down list to select any IFB Destination in the system. When connected to an SAS DSP Engine a click on the “Call Answer” button talks back to the last destination that called.
SAS ROUTING CONTROLS
(RACK MOUNT, FLUSH MOUNT, DESKTOP, OR CONSOLE MOUNT VARIATIONS)
AXC 16
Comes in a variety of configurations for full XY functions
(Output and Input source select) or multi output (limited with display lists), displays with “Audio Present and Audio Peace” icons for confidence monitoring, (perfect for Network Distribution Centers), with 8, 16 or 32 programmable buttons for quick pick source and destination selection.
CPM-80
CPM-80 provides control for 8 outputs, 8 individual displays and source select sections, for pre-programmed outputs. The display provides an audio present icon, silence and peak and is perfect for network confidence monitoring. Stack them for Network Operations Centers for simple easy quick select for multiple outputs.
DLM-2
LU and VU meters, rack mount and chassis mount. These are Digital Audio Meters with selectable LU and VU meter ballistics. LU shows a block of 6 (2,3 LED block) to show where the average audio level is. LU is based on British Loudness stand BS-1770, Loudness and True-peak level standard. It specifies anchor based normalization for regular programs, but all-source loudness normalization for commercials and interstitials, both at a default Target loudness of -24 LKFS
QLM-8
The same specs as DLM-2 but with 4 stereo meter channels in a chassis suitable for mounting in a recording environment, can mount much like monitor speakers, or on desktop for digital audio workstations.